sábado, 1 de dezembro de 2007

Sound for Airports

...Fast listening and easy food are two elastic bed for upset ambients... morphinoids & speedups were always the basis of technologies grading...
..."Lots of money were expent on everything on this space except in the music"; is that a reason to equalize happy music and zen suspension, or, is Good what I don't want? How could we fly if our hearing are concearned on not concearning? From desire we can't ask... Still the elastic properties of sinesthetic economy...
...When sounds beat gravity the air is plane and verticality is challenged... When music is tries to hide its ambition is to become the whole ambient...

Music for public spaces[according to Eno]:
1.Must not interfear on human communication;
2.Last long times and do not have many changes;
3.Interrupteable for annoucements.

Soundcrafting for public times:
1.Must dialogue through human communication;
2.Use the spatial noise to control time environments changes;
3.Ininterrupteable due to its chainging character. The annoucements is a solo part of it.

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